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              <text>Mural</text>
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              <text>143.7 in × 189 in</text>
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                <text>My God, Help Me to Survive This Deadly Love</text>
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                <text>Mein Gott, hilf mir, diese tödliche Liebe zu überleben (My God, Help Me to Survive This Deadly Love) a street art mural by Dmitri Vrubel in 1990 depicting Erich Honecker and Leonid Brezhnev engaging in a fraternal kiss.</text>
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                <text>Vrubel based this mural depicting Honecker and Brezhnev kissing on a photograph taken by Régis Bossu in East Berlin on October 7, 1979. Part of Berlin's East Side Gallery, it is painted on the East German side of the Berlin Wall as a reclamation of space. The title references Honecker's oppressive regime and East Germans killed at the wall, trying to escape it. It is likely the only public depiction of Honecker in the former GDR.</text>
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                <text>Dmitri Vrubel, artist</text>
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                <text>Bundesarchiv, B 145 Bild-F088809-0038</text>
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                <text>1990</text>
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                <text>Copyright Bundesarchiv / Joachim F. Thurn</text>
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                <text>The Miners and Energy Workers of the Region</text>
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                <text>Die Berg- und Energiearbeiter der Region (The Miners and Energy Workers of the Region) at the Haus der Berg- und Energiearbeiter (House of the Miners and Energy Workers), now known as Lausitzhalle, made 1983-1984 by Fritz Eisel in Hoyerswerda.</text>
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                <text>This mosaic mural references the significance of lignite (brown coal) mining and processing in the Lausitz region, which led to formerly rural Hoyerswerda's growth in the 1950s. There, the GDR experimented with designing and constructing a town using standardized, prefabricated architecture and building materials. In the early 1960s, a writer characterized the town as sterile, bleak, and boring, and the experiment is historically considered a failure. Eisel's colorful mosaic mural is likely an attempt to rehabilitate Hoyerswerda's reputation through public art. Today, it is designated as a cultural monument along with the building.</text>
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                <text>Fritz Eisel, artist</text>
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                <text>Jim Cooper, photographer</text>
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                <text>1984</text>
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                <text>Photograph: July 2010</text>
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                <text>Copyright Jim Cooper</text>
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                <text>Flickr</text>
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                <text>Space Earth Human (Microcosm)</text>
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                <text>Weltall Erde Mensch (Space Earth Human), a pair of mosaics on each side of a wall, by Otto Schutzmeister from 1974 in Eisenhüttenstadt, Brandenburg, Germany</text>
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                <text>This mosaic mural has two sides, Mikrokosmos and Makrokosmos. On the front, Mikrokosmos depicts scientists and celebrates nuclear energy. On the back, Makrokosmos depicts astronauts and celebrates space exploration. Schutzmeister created the mosaics three years after the first nuclear power plant opened in the GDR and the year after the death of Yuri Gagarin, the first person in space. The mosaics are on the grounds of an apartment complex in Eisenhüttenstadt, which was founded in 1950 as the first socialist model city in the GDR. Its name means "Ironworks City," but it was also known as Stalinstadt from 1953 to 1961. &lt;em&gt;Weltall Erde Mensch&lt;/em&gt; is the title of the book that East German teens received from 1954 to 1974 for participating in the Jugendweihe ceremony.</text>
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                <text>Otto Schutzmeister, artist</text>
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                <text>Martin Maleschka, photographer</text>
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                <text>1974</text>
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                <text>Photograph: 2020</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright Martin Maleschka</text>
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                <text>Flickr</text>
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        <name>Otto Schutzmeister</name>
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              <description>A name given to the resource</description>
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                  <text>Monuments</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Bronze Sculpture</text>
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              <text>46 ft.</text>
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                <text>Ernst-Thälmann-Monument </text>
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                <text>Ernst-Thälmann-Monument created 1981-1986 by Lev Kerbel in Ernst-Thälmann-Park, Prenzlauer Berg, Berlin</text>
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                <text>Ernst Thälmann (1886-1944) was a German Communist party leader. The Nazis imprisoned him in 1933 and shot him at Buchenwald in 1944. Although Thälmann never lived to see the end of World War II, the SED (the GDR's founding and ruling party) coopted his biography and image, immortalizing him as part of the nation's founding mythology. This monument was unveiled as a gift to the citizens to commemorate the 100th anniversary of Thälmann's birth in Ernst-Thälmann-Park. The monument was controversial because the GDR's government chose a Soviet sculptor and demolished historically protected gasworks to ensure a perfect view of the monument in the park. East Berliners resented its grandiosity and gave it unflattering nicknames. Although smaller Thälmann monuments were removed after the GDR's collapse, this statue still stands. However, plaques with Communist slogans have been removed from its base.</text>
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                <text>Lev Kerbel, sculptor</text>
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                <text>Max Schwalbe, photographer</text>
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                <text>1986</text>
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                <text>Photograph: May 9, 2021</text>
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                <text>Creative Commons</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Wikimedia Commons</text>
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                <text>This poster shows four GDR youth in the foreground, two boys and two girls. The boy and girl in front carry books, and the boy also carries a hammer. The tall boy in the back raises his hand toward the sky. Two men appear above them in a separate background scene, a military officer and a pilot surrounded by the night sky. On the left side of the poster in the center, the GDR flag flies over the Brandenberg Gate in the distance. The slogan reads, "Jugendweihe, all your strength for the great and noble cause of socialism!"&#13;
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In the GDR, the Jugendweihe was a socialist youth initiation ceremony meant to replace Christian confirmation. It began in 1953, so it was a relatively recent tradition when this poster was made. However, the Jugendweihe's roots date a century earlier to a German secularist movement that the SED appropriated for political purposes. Teenagers participating in the Jugendweihe recited a ceremonial pledge and then received a propagandistic book and a certificate. Today, teenagers in the former GDR region celebrate the Jugendweihe without political connotations. This poster was reissued in postcard form for the 60th anniversary of the GDR's founding and is still available for purchase.</text>
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                <text>Ost-Shop.de</text>
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                <text>The monument is 42 feet high and weighs 40 tons. The bronze head sits atop two granite pedestals. The wall behind it contains a multilingual inscription of a rallying cry for workers to unite from &lt;em&gt;The Communist Manifesto&lt;/em&gt;, for which Marx is famous. Marx was born in Trier, Rheinland-Pfalz, and has no biographical connection to Chemnitz. &lt;br /&gt;&lt;br /&gt;In 1953, the GDR government renamed Chemnitz to Karl-Marx-Stadt, to honor the 70th anniversary of Marx's death. They also hired Kerbel to design and cast a monument of the city's namesake. Kerbel's design is minimalist and contrasts with other socialist-realist monuments because there is no body with which to strike a triumphant pose. Kerbel wanted to emphasize Marx as a philosopher and believed this only required Marx's head and facial expression. The monument is advertised as the second-largest freestanding head in the world. Locally, it is called the "Nishel," the Saxon word for "head." In 1990, citizens voted to change the city's name back to Chemnitz. They decided to keep the massive sculpture and seem to take pride in it. Until 2007, the city's official motto referred to the head.</text>
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