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      <src>https://charlottedc.net/cms/files/original/50dda7e32accb431a4bb26dce5e6b3c7.jpg</src>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mosaics</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Mosaics</text>
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    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <text>Mosaic mural</text>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>The Miners and Energy Workers of the Region</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Die Berg- und Energiearbeiter der Region (The Miners and Energy Workers of the Region) at the Haus der Berg- und Energiearbeiter (House of the Miners and Energy Workers), now known as Lausitzhalle, made 1983-1984 by Fritz Eisel in Hoyerswerda.</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>This mosaic mural references the significance of lignite (brown coal) mining and processing in the Lausitz region, which led to formerly rural Hoyerswerda's growth in the 1950s. There, the GDR experimented with designing and constructing a town using standardized, prefabricated architecture and building materials. In the early 1960s, a writer characterized the town as sterile, bleak, and boring, and the experiment is historically considered a failure. Eisel's colorful mosaic mural is likely an attempt to rehabilitate Hoyerswerda's reputation through public art. Today, it is designated as a cultural monument along with the building.</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Fritz Eisel, artist</text>
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              <text>Jim Cooper, photographer</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>1984</text>
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              <text>Photograph: July 2010</text>
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          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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            <elementText elementTextId="50">
              <text>Copyright Jim Cooper</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>Flickr</text>
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    <tag tagId="38">
      <name>1980s</name>
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    <tag tagId="117">
      <name>art</name>
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    <tag tagId="8">
      <name>DDR</name>
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    <tag tagId="29">
      <name>energy</name>
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    <tag tagId="31">
      <name>Fritz Eisel</name>
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    <tag tagId="1">
      <name>GDR</name>
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    <tag tagId="26">
      <name>Hoyerswerda</name>
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    <tag tagId="28">
      <name>miners</name>
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    <tag tagId="16">
      <name>mosaic</name>
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    <tag tagId="17">
      <name>mural</name>
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    <tag tagId="27">
      <name>Saxony</name>
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    <tag tagId="30">
      <name>workers</name>
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